When considering our creative approach to these films, it was important to embrace the tone and environment we were capturing. The exhibition was filled with thoughtful artistry and innovative technology, all in a space that helped guests step into another world. So these mini-documentaries reflected that same experience. The video series as a whole was a journey into the minds of artists and the values of Audemars Piguet. This resulted in a series highlighting the exhibition's beautiful blend of nature, art, and technology.
We were particularly interested in the space where heritage and tradition meets technology and innovation. Inspired also by the mechanical qualities of a watch, we decided to combine both digital and analog filmmaking.
We edited the B-Roll shots from Tokyo and our shots from the exhibition into a short sequence and during post-production filmed a projection of this sequence using a super 8 film camera.
The super 8 shots were used largely as visually engaging transitional shots to take us from one sequence to another, creating a distinguishing visual motif that runs throughout our films. In the Ryoji Ikeda film, we used this footage more explicitly as it conceptually tied in even further with his philosophy behind his work.
Creative Director MICHAEL RING Director MURAT GÖKMEN
Director of Photography JOHN FISHER (PARIS, TOKYO),
ANDREW PETRILLA (NY)
Editor ANDREW PETRILLA Executive Producer KAYLEE KING-BALENTINE
Graphics SCOTT RINEBOLD Audio Mix CLEAN CUTS